{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of James Kraft, Class of 1957","caption":"Sam Gilliam (1933–2022; born Tupelo, MS; died Washington, D.C.; active Washington D.C. and New York, NY), Printed at Vermillion Editions, Ltd. (founded 1977), Published by Middendorf-Lane Gallery, Coffee Thyme II, 1980. Lithograph, screenprint, etching and embossing; 79 × 103 cm, 102.3 × 127.1 × 3.8 cm (frame). Gift of James Kraft, Class of 1957 (2006-221)","cultureterms":[{"id":2038492,"culture":"American"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2170621,"term":"coffee","aatid":300254662,"termtype":"Subject"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2095701,"term":"abstraction","aatid":300056508,"termtype":"Subject"},{"id":2054597,"term":"lithographs","aatid":300041379,"termtype":"Classification"},{"id":2185092,"term":"Artists of Africa's Diasporas","aatid":null,"termtype":"Collection Theme"},{"id":2054761,"term":"screen prints","aatid":300178688,"termtype":"Classification"},{"id":2156689,"term":"embossing","aatid":300053826,"termtype":"Techniques"},{"id":2167709,"term":"lithographic ink","aatid":300187750,"termtype":"Materials"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"},{"id":2154976,"term":"etching (printing process)","aatid":300053241,"termtype":"Techniques"},{"id":2044353,"term":"wove paper","aatid":300014187,"termtype":"Materials"},{"id":2044353,"term":"wove paper","aatid":300014187,"termtype":"Materials"},{"id":2154563,"term":"screen printing","aatid":300053281,"termtype":"Techniques"},{"id":2155010,"term":"lithography","aatid":300053271,"termtype":"Techniques"},{"id":2156299,"term":"mounting","aatid":300081370,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: North America, United States","code":"Place made","continent":"North America","subcontinent":null,"country":"United States","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/6252001/united-states.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"102.30"},{"element":"frame","type":"Width","units":"centimeters","dimension":"127.10"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"3.80"},{"element":"Overall","type":"Height","units":"centimeters","dimension":"79.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"103.00"}],"markings":null,"accessionyear":"2006-01-01","newaccession":0,"makers":[{"id":6133,"displayname":"Sam Gilliam","displaydate":"1933–2022; born Tupelo, MS; died Washington, D.C.; active Washington D.C. and New York, NY","datebegin":1933,"dateend":2022,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Sam Gilliam, 1933–2022; born Tupelo, MS; died Washington, D.C.; active Washington D.C. and New York, NY","displayorder":1},{"id":14292,"displayname":"Vermillion Editions, Ltd.","displaydate":"founded 1977","datebegin":1977,"dateend":0,"prefix":"Printed at","suffix":null,"role":"Press","displaymaker":"Printed at Vermillion Editions, Ltd., founded 1977","displayorder":2},{"id":14293,"displayname":"Middendorf-Lane Gallery","displaydate":null,"datebegin":0,"dateend":0,"prefix":"Published by","suffix":null,"role":"Publisher","displaymaker":"Published by Middendorf-Lane Gallery","displayorder":3}],"datecomputed":1980,"signed":null,"restrictions":"Restricted","classification":"Prints","packages":[{"packageid":220938,"name":"web_2000-2022printacquisitions"},{"packageid":196697,"name":"MoCo-Color-field"}],"catalograisonne":null,"classifications":[{"id":2054761,"classification":"screen prints"},{"id":2054597,"classification":"lithographs"},{"id":2054569,"classification":"etchings"},{"id":2054256,"classification":"prints"}],"exhibitions":[{"exhibitionid":3379,"citation":"Hold: A Meditation on Black Aesthetics (Princeton University Art Museum,  November 4, 2017–February 11, 2018)\r\n","isvirtual":true,"begindate":"2017-11-04","enddate":"2018-02-11","uri":"https://artmuseum.princeton.edu/art/exhibitions/3379"}],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2006-221"],"displaytitle":"Coffee Thyme II","displayculture":null,"displaymaker":"Sam Gilliam, 1933–2022; born Tupelo, MS; died Washington, D.C.; active Washington D.C. and New York, NY | Printed at Vermillion Editions, Ltd., founded 1977 | Published by Middendorf-Lane Gallery","captionhtml":"Sam Gilliam (1933–2022; born Tupelo, MS; died Washington, D.C.; active Washington D.C. and New York, NY), Printed at Vermillion Editions, Ltd. (founded 1977), Published by Middendorf-Lane Gallery, <i>Coffee Thyme II</i>, 1980. Lithograph, screenprint, etching and embossing; 79 × 103 cm, 102.3 × 127.1 × 3.8 cm (frame). Gift of James Kraft, Class of 1957 (2006-221)","displaydate":"1980","medium":"Lithograph, screenprint, etching and embossing","media":[{"id":15873,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2006-221","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Calvin Brown, \"James Kraft, Class of 1957, Collection,\" <EM>Record of the Princeton University Art Museum</EM> 66 (2007): p. 75–122.","citation":"Calvin Brown, \"James Kraft, Class of 1957, Collection,\" <EM>Record of the Princeton University Art Museum</EM> 66 (2007): p. 75–122., p. 88,  illustrated","date":2007,"id":2999,"uri":"https://www.jstor.org/stable/20442629"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1980,"depicted":[],"titles":[{"title":"Coffee Thyme II","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Sam Gilliam / Artists Rights Society (ARS), New York / The Design and Artists Copyright Society (DACS), London","objectnumber":"2006-221","inscribed":"Titled in graphite, lower center: Coffee Thyme II\r\n\r\nSigned and dated in graphite, lower right: Sam Gilliam '80","texts":[{"texttype":"Online","textpurpose":"Special Exhibition","textentryhtml":"<SPAN lang=EN>\r\n<P dir=ltr align=left>In the 1980s, Gilliam stated, \"Figurative art doesn’t represent blackness any more than a non-narrative media-oriented kind <BR>of painting, like what I do.\" Consistently committed to abstraction since the 1960s, the artist radicalized painting by dispensing with stretchers and frames, draping, hanging, knotting, and folding his stained and saturated canvases into colorful three-dimensional rhythms. This print relates to Gilliam’s <EM>Black Paintings</EM> series of the late 1970s, in which he enhanced the rugged asphalt-like surface by dragging a shag-rug rake across gel-thickened acrylic paint, producing encrusted and poetically evocative expanses of shifting patterns.</P></SPAN>","remarks":"Hold: A Meditation on Black Aesthetics"}],"datebegin":1980,"sortnumber":"2006  221","published_date":"2026-03-31 02:37:09.395594","objectid":49594,"dimensions":"79 × 103 cm (31 1/8 × 40 9/16 in.)\r\nframe: 102.3 × 127.1 × 3.8 cm (40 1/4 × 50 1/16 × 1 1/2 in.)","on_view":false}