{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Laura P. Hall Memorial Fund and Fowler McCormick, Class of 1921, Fund","caption":"Giuseppe Passeri (Italian, 1654–1714), Ceiling Design: Virgin Mary of Carmel with the Christ Child in Glory, attended by Angels, 1700s. Pen and brown ink, red chalk, and brush and red chalk wash, heightened with white gouache on cream laid paper, squared in black chalk; 42.9 × 29.8 cm, 61.1 × 45.7 × 3.2 cm (frame). Museum purchase, Laura P. Hall Memorial Fund and Fowler McCormick, Class of 1921, Fund (2006-96)","cultureterms":[{"id":2031625,"culture":"Italian"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2031625,"term":"Italian","aatid":300111198,"termtype":"Culture"},{"id":2171366,"term":"Christ","aatid":null,"termtype":"Subject"},{"id":2171368,"term":"Mary","aatid":null,"termtype":"Subject"},{"id":2198829,"term":"Carmelite","aatid":null,"termtype":"Subject"},{"id":2088162,"term":"infants","aatid":300189561,"termtype":"Subject"},{"id":2171706,"term":"clouds","aatid":null,"termtype":"Subject"},{"id":2159231,"term":"putti","aatid":300250465,"termtype":"Subject"},{"id":2052464,"term":"design drawings","aatid":300069413,"termtype":"Classification"},{"id":2171831,"term":"angels","aatid":null,"termtype":"Subject"},{"id":2095964,"term":"religious art","aatid":300248179,"termtype":"Subject"},{"id":2167941,"term":"gouache","aatid":300070114,"termtype":"Materials"},{"id":2168009,"term":"wash","aatid":300011051,"termtype":"Materials"},{"id":2140945,"term":"pens","aatid":300022452,"termtype":"Tools"},{"id":2143430,"term":"brushes","aatid":300024760,"termtype":"Tools"},{"id":2153720,"term":"heightening","aatid":300053418,"termtype":"Techniques"},{"id":2044331,"term":"laid paper","aatid":300014184,"termtype":"Materials"},{"id":2160324,"term":"black chalk","aatid":300080058,"termtype":"Materials"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"42.90"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"29.80"},{"element":"frame","type":"Height","units":"centimeters","dimension":"61.11"},{"element":"frame","type":"Width","units":"centimeters","dimension":"45.71"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"3.17"}],"markings":null,"accessionyear":"2006-01-01","newaccession":0,"makers":[{"id":991,"displayname":"Giuseppe Passeri","displaydate":"Italian, 1654–1714","datebegin":1654,"dateend":1714,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Giuseppe Passeri, Italian, 1654–1714","displayorder":1}],"datecomputed":1705,"signed":"Signed in graphite on mount, verso lower center: Giuseppe Passeri","restrictions":null,"classification":"Drawings","packages":[{"packageid":5241,"name":"Web_ID_4"},{"packageid":205616,"name":"exh_tour_Italian_Drawings"},{"packageid":224527,"name":"Tour - It Draw"},{"packageid":72125,"name":"web_wopsr_2016-4_MasterDrawings"},{"packageid":182970,"name":"P&D_Drawings_Watercolors"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2052464,"classification":"design drawings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/TC2006-12"],"displaytitle":"Ceiling Design: Virgin Mary of Carmel with the Christ Child in Glory, attended by Angels","displayculture":null,"displaymaker":"Giuseppe Passeri, Italian, 1654–1714","captionhtml":"Giuseppe Passeri (Italian, 1654–1714), <i>Ceiling Design: Virgin Mary of Carmel with the Christ Child in Glory, attended by Angels</i>, 1700s. Pen and brown ink, red chalk, and brush and red chalk wash, heightened with white gouache on cream laid paper, squared in black chalk; 42.9 × 29.8 cm, 61.1 × 45.7 × 3.2 cm (frame). Museum purchase, Laura P. Hall Memorial Fund and Fowler McCormick, Class of 1921, Fund (2006-96)","displaydate":"1700s","medium":"Pen and brown ink, red chalk, and brush and red chalk wash, heightened with white gouache on cream laid paper, squared in black chalk","media":[{"id":11881,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/TC2006-12","isprimary":1,"rank":0,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":null}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"Laura Giles, Lia Markey, Claire Van Cleave,<i> </i>et. al., <i>Italian Master Drawings from the Princeton University Art Museum</i>, (Princeton, NJ: Princeton University Art Museum, 2014).","citation":"Laura Giles, Lia Markey, Claire Van Cleave,<i> </i>et. al., <i>Italian Master Drawings from the Princeton University Art Museum</i>, (Princeton, NJ: Princeton University Art Museum, 2014)., p. 176, cat. no. 73; p. 177 (illus.); p. 258, app. no. 88 (illus.)","date":2014,"id":1855,"uri":"https://search.worldcat.org/title/869726410"},{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2006,\" <em>Record of the Princeton University Art Museum </em>66 (2007): p. 41-74.","citation":"\"Acquisitions of the Princeton University Art Museum 2006,\" <em>Record of the Princeton University Art Museum </em>66 (2007): p. 41-74., p. 45-46 (illus.)","date":2007,"id":3000,"uri":"https://www.jstor.org/stable/20442628"},{"boilertext":"Dieter Graf, <em>Die handzeichnungen des Giuseppe Passeri</em>, (Düsseldorf: Kunstmuseum Düsseldorf im Ehrenhof, 1995).","citation":"Dieter Graf, <em>Die handzeichnungen des Giuseppe Passeri</em>, (Düsseldorf: Kunstmuseum Düsseldorf im Ehrenhof, 1995)., Vol. 1: p. 398, fig. 256","date":1995,"id":6300,"uri":"https://search.worldcat.org/title/36264796"},{"boilertext":"<EM>Old master and 19th century drawings</EM>, (London: Christie's, 2006). ","citation":"<EM>Old master and 19th century drawings</EM>, (London: Christie's, 2006). , lot 35","date":2006,"id":6302,"uri":"https://search.worldcat.org/title/171436840"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1710,"depicted":[],"titles":[{"title":"Ceiling Design: Virgin Mary of Carmel with the Christ Child in Glory, attended by Angels","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2006-96","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"Passeri’s finished composition designs, or <em>modelli</em>, for Roman ceiling frescoes are distinguished by their unusually rich tonal and chromatic range. Although this example has not been connected with a specific church, the iconography suggests a connection with the Carmelite monastic order, given the small scapulars held by the Virgin and several of the angels. A front-and-back apron worn over a monastic tunic, a scapular (from the Latin <em>scapula</em>, or shoulder) is said to have been presented to the English Carmelite friar Simon Stock by the Virgin in 1251. Beginning in the fourteenth century, badgelike versions were worn by many Catholics as a sign of devotion to the Virgin Mary.","remarks":"K1-3 Rotation October 2018"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"Private collection, Austria; sale, Christie’s, London, July 4, 2006, lot 35 (See reference Bib. 5422); purchased by the Art Museum, 2006.;<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p>","remarks":null},{"texttype":"Online","textpurpose":"Special Exhibition","textentryhtml":"Passeri’s finished composition designs, or modelli, for Roman ceiling decorations are distinguished by their unusually rich tonal and chromatic range. Although this example has not been connected with a specific church, the iconography suggests a connection with the Carmelite monastic order, given the small scapulars held by the Virgin and several of the angels. Deriving from the Latin scapula (meaning “shoulder”), the scapular is a front-and-back apron worn over a monastic tunic, which was said to have been presented to the English Carmelite friar Simon Stock by the Virgin in 1251. Beginning in the fourteenth century, badge-like versions of the scapular were worn by many Catholics as a sign of devotion to the Virgin Mary. ","remarks":"Italian Drawings"}],"datebegin":1700,"sortnumber":"2006   96","published_date":"2026-02-11 11:59:03.561746","objectid":50861,"dimensions":"42.9 x 29.8 cm (16 7/8 x 11 3/4 in.)\r\nframe: 61.1 x 45.7 x 3.2 cm (24 1/16 x 18 x 1 1/4 in.)","on_view":false}