{"type":"artobject","objectid":51098,"objectnumber":"2006-85","sortnumber":"2006   85","displaytitle":"Untitled","department":"Modern and Contemporary Art","classification":"Sculpture","datebegin":1982,"dateend":1982,"datecomputed":1982,"daterange":"A.D. 1945-present","displaydate":"1982","medium":"Acrylic on wood","dimensions":"30.5 x 61.0 x 61.0 cm (12 x 24 x 24 in.)","dimensionsproposed":"","creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","markings":null,"inscribed":"Dedicated on the bottom of the base: \"For F.S., Sol LeWitt, 12/81\"; signed on accompanying certificate: \"This is a certificate, Sol LeWitt March 18, 1982 / 24 x 24 x 12\" \"\r\n","signed":null,"catalograisonne":null,"creditlinerepro":"© The LeWitt Estate / Artists Rights Society (ARS), New York","restrictions":"Restricted","nowebuse":"False","secondaryobjectnumber":null,"campuscollections":"false","on_view":true,"accessionyear":"2006-01-01","newaccession":0,"titles":[],"makers":[{"id":4512,"displayname":"Sol LeWitt","displaydate":"1928–2007; born Hartford, CT; died New York, NY; active New York","datebegin":1928,"dateend":2007,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Sol LeWitt, 1928–2007; born Hartford, CT; died New York, NY; active New York","displayorder":1}],"depicted":[],"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"LeWitt was a pioneer of conceptual art, a key artistic development of the 1960s and 1970s. Conceptual artists privileged ideas over finished works of art and process over product. Methodical, austere, and emotionally restrained, LeWitt’s sculptures generally consist of three-dimensional grids in which he determined the measurements of the smallest unit first, then built out the overall extensions and shapes based on ratios and proportions. With his technique steeped in geometry and mathematics, LeWitt intended to relieve the artist from expressing personal subjectivity and allow for his works to be replicated widely. His approach could nevertheless be intuitive, absurd, and compulsive, often defying logic. “Conceptual artists,” LeWitt wrote in 1969, “are mystics rather than rationalists. They leap to conclusions that logic cannot reach.”","remarks":"MOD_09-12_CLA – Day 1 Cataloguing"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>Purchased by the Princeton University Art Museum, 2006. </p>","remarks":"as per credit line. AP."},{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"\r\nSol LeWitt made vital contributions to both &shy;Minimalism and Conceptualism, which dominated the artistic landscape of the 1960s and 1970s. Minimalism emphasized geometry and modularity, while Conceptualism privileged ideas over objects and process over product. Methodical, austere, and emotionally restrained, LeWitt’s sculptures generally consist of three-dimensional grids whose proportions are based on those of the smallest individual unit and whose overall configuration is deduced from predetermined ratios, as in the case with <I>Untitled</I>, created for LeWitt’s friend, the artist Fred Sandback. Such an approach was intended to relieve the artist from having to invent, compose, and express. Despite the complex mathematical calculations it entailed, though, this technique was too intuitive, absurd, and compulsive to merit the term logical. \"Conceptual artists,\" LeWitt wrote in 1969, \"are mystics rather than rationalists. They leap to conclusions that logic cannot reach.\" </P></SPAN>","remarks":null}],"media":[{"id":226396,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2006-85","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Bruce White photography "}],"hasimage":"true","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2006,\" <em>Record of the Princeton University Art Museum </em>66 (2007): p. 41-74.","citation":"\"Acquisitions of the Princeton University Art Museum 2006,\" <em>Record of the Princeton University Art Museum </em>66 (2007): p. 41-74., p. 43 (illus.)","date":2007,"id":3000,"uri":"https://www.jstor.org/stable/20442628"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007)","citation":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007), p. 257 (illus.)","date":2007,"id":474,"uri":"https://search.worldcat.org/title/191864564"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013)","citation":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013), p. 294","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"}],"exhibitions":[{"exhibitionid":961,"citation":"An Educated Eye: The Princeton University Art Museum Collection (Friday, February 22, 2008 - Sunday, June 15, 2008)","isvirtual":true,"begindate":"2008-02-22","enddate":"2008-06-15","uri":"https://artmuseum.princeton.edu/art/exhibitions/961"}],"geography":[{"displaygeography":"(not assigned): North America, United States, New York","code":"(not assigned)","continent":"North America","subcontinent":null,"country":"United States","region":null,"state":"New York","city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"https://www.geonames.org/6252001/united-states.html","location":{"lat":"","lon":""}}],"terms":[{"id":2054791,"term":"sculpture","aatid":300047090,"termtype":"Classification"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2095701,"term":"abstraction","aatid":300056508,"termtype":"Subject"},{"id":2098283,"term":"geometric concepts","aatid":300055619,"termtype":"Subject"},{"id":2098411,"term":"cubes","aatid":300133032,"termtype":"Subject"},{"id":2098415,"term":"pyramids (geometric figures)","aatid":300163119,"termtype":"Subject"},{"id":2045920,"term":"wood","aatid":300011914,"termtype":"Materials"},{"id":2165436,"term":"acrylic","aatid":300014426,"termtype":"Materials"}],"classifications":[{"id":2054791,"classification":"sculpture"}],"cultures":[],"cultureterms":[{"id":2038492,"culture":"American"}],"periods":[],"periodterms":[],"attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"30.50"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"61.00"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"61.00"}],"packages":[{"packageid":155612,"name":"web_PBL_Main_2019_01"},{"packageid":167646,"name":"web_highlights"},{"packageid":278831,"name":"10282025-DAY1-ONVIEW"},{"packageid":173870,"name":"web_PBL_2019_fall"},{"packageid":181963,"name":"web_2020_PBL"},{"packageid":219380,"name":"Gallery_10-12(Pavilion3)-ModernContemporary"},{"packageid":182427,"name":"CRS_2020_ART214_FinalPapersProject"},{"packageid":182964,"name":"Tour_LSC"},{"packageid":197269,"name":"web_highlights -revised 2021"}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2006-85"],"displaymaker":"Sol LeWitt, 1928–2007; born Hartford, CT; died New York, NY; active New York","displayculture":null,"displayperiod":null,"caption":"Sol LeWitt (1928–2007; born Hartford, CT; died New York, NY; active New York), Untitled, 1982. Acrylic on wood; 30.5 x 61 x 61 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2006-85)","captionhtml":"Sol LeWitt (1928–2007; born Hartford, CT; died New York, NY; active New York), <i>Untitled</i>, 1982. Acrylic on wood; 30.5 x 61 x 61 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2006-85)","published_date":"2026-03-31 02:38:08.365231","campusart":[{"campuscollections":"false","campusart":0,"neighborhood":null,"lat":null,"lon":null}],"extended_content":false}