{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Laura P. Hall Memorial Collection","caption":"Albrecht Dürer (1471–1528; born and died Nuremberg, Germany; active Venice, Italy, and Nuremburg), The Four Horsemen of the Apocalypse, 1498. Woodcut; 39.3 x 28 cm, 39.3 × 28 cm (block, sheet trimmed to block). Laura P. 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Woodcut; 39.3 x 28 cm, 39.3 × 28 cm (block, sheet trimmed to block). Laura P. Hall Memorial Collection (x1946-218)","displaydate":"1498","medium":"Woodcut","media":[{"id":9601,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/x1946-218_GS","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Luna Digitization Project"},{"id":101257,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV26209","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Campbell Dodgson, <EM>Albrecht Dürer</EM> (London: Medici Society, 1926).&nbsp;</SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Campbell Dodgson, <EM>Albrecht Dürer</EM> (London: Medici Society, 1926).&nbsp;</SPAN></P>, no. 2, p. 261","date":1926,"id":6211,"uri":"https://search.worldcat.org/title/3338518"},{"boilertext":"<p class=\"MsoNormal\" style=\"margin: 0in 0in 0pt;\"><span style='line-height: 107%; font-family: \"Arial\",sans-serif; font-size: 9pt;'>Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>","citation":"<p class=\"MsoNormal\" style=\"margin: 0in 0in 0pt;\"><span style='line-height: 107%; font-family: \"Arial\",sans-serif; font-size: 9pt;'>Rainer Schoch, Matthias Mende, and Anna Scherbaum, Albrecht Dürer: das druckgraphische Werk (München: Prestel, 2001).<!--?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /--><o:p></o:p></span></p>, no. 115","date":2001,"id":6213,"uri":"https://search.worldcat.org/title/46853856"},{"boilertext":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Erwin Panofsky, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer</I> (Princeton: Princeton University Press, 1945).</SPAN>","citation":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Erwin Panofsky, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer</I> (Princeton: Princeton University Press, 1945).</SPAN>","date":1945,"id":6214,"uri":"https://search.worldcat.org/title/7184939"},{"boilertext":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Arthur Mayger Hind, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer: his engravings and woodcuts</I> (New York: Frederick A. Stokes Company, 1911).</SPAN>","citation":"<SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%; mso-fareast-font-family: Calibri; mso-fareast-theme-font: minor-latin; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA'>Arthur Mayger Hind, <I style=\"mso-bidi-font-style: normal\">Albrecht Dürer: his engravings and woodcuts</I> (New York: Frederick A. Stokes Company, 1911).</SPAN>, p. 13, no. XLIII (illus.)","date":1911,"id":6215,"uri":"https://search.worldcat.org/title/656866312"},{"boilertext":"Hans Tietze and Erika Tietze-Conrat, <EM>Kritisches verzeichnis der werke Albrecht Dürers</EM> (Augsburg: B. Filser, 1928-1938).","citation":"Hans Tietze and Erika Tietze-Conrat, <EM>Kritisches verzeichnis der werke Albrecht Dürers</EM> (Augsburg: B. Filser, 1928-1938)., no. 105","date":1928,"id":6217,"uri":"https://search.worldcat.org/title/6694826"},{"boilertext":"Willy Kurth, <EM>Albrecht Dürer Sämtliche Holzschnitte</EM> (München: Holbein, 1927).","citation":"Willy Kurth, <EM>Albrecht Dürer Sämtliche Holzschnitte</EM> (München: Holbein, 1927)., no. 109","date":1927,"id":6218,"uri":"https://search.worldcat.org/title/53544143"},{"boilertext":"Valentin Scherer and Friedrich Winkler&nbsp;ed., &nbsp;<EM>Dürer, des Meisters Gemälde Kupferstiche und Holzschnitte</EM> (Stuttgart: Deutsche verlags-anstalt, 1928).","citation":"Valentin Scherer and Friedrich Winkler&nbsp;ed., &nbsp;<EM>Dürer, des Meisters Gemälde Kupferstiche und Holzschnitte</EM> (Stuttgart: Deutsche verlags-anstalt, 1928)., p. 313","date":1928,"id":6219,"uri":"https://search.worldcat.org/title/1101410"},{"boilertext":"<div class=\"contrib\">Charles Ilsley Minott, \"Albrecht Dürer: The Early Graphic Works\" <em>Record of the Art Museum </em>30, no. 2 (1971): 7-27</div>","citation":"<div class=\"contrib\">Charles Ilsley Minott, \"Albrecht Dürer: The Early Graphic Works\" <em>Record of the Art Museum </em>30, no. 2 (1971): 7-27</div>, pp. 21–22","date":1971,"id":6220,"uri":"https://www.jstor.org/stable/3774467"},{"boilertext":"\"Catalogue of the Exhibition\" and \"Plates,\"&nbsp;<em>Record of the Art Musuem </em>30, no. 2 (1971): 29-60","citation":"\"Catalogue of the Exhibition\" and \"Plates,\"&nbsp;<em>Record of the Art Musuem </em>30, no. 2 (1971): 29-60, p. 32, no. 30b, p. 51 (illus.)","date":1971,"id":6221,"uri":"https://www.jstor.org/stable/3774469"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 7,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; LINE-HEIGHT: 107%'>Adam vom Bartsch, \"Volume 7,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Le peintre graveur ... </SPAN></EM>(Vienne: J. V. Degen, 1803-05).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 64, p. 128","date":1808,"id":6253,"uri":"https://search.worldcat.org/title/682354769"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"'>F.W.H. Hollstein, “Dürer,” <I>German engravings, etchings, and woodcuts, ca. 1400-1700</I> (Amsterdam: M. Hertzberger, 1962).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif; mso-fareast-font-family: \"Times New Roman\"'>F.W.H. Hollstein, “Dürer,” <I>German engravings, etchings, and woodcuts, ca. 1400-1700</I> (Amsterdam: M. Hertzberger, 1962).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 167, p. 137","date":1962,"id":6597,"uri":"https://search.worldcat.org/title/519239"},{"boilertext":"Joseph Meder, <em>Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen</em> (Vienna: Gilhofer &amp; Rauschburg, 1932).","citation":"Joseph Meder, <em>Dürer-Katalog, ein handbuch über Albrecht Dürers stiche, radierungen, Holzschnitte, deren zustände, ausgaben und wasserzeichen</em> (Vienna: Gilhofer &amp; Rauschburg, 1932)., no. 167","date":1932,"id":5905,"uri":"https://search.worldcat.org/title/248550681"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1498,"depicted":[],"titles":[{"title":"The Four Horsemen of the Apocalypse","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1946-218","inscribed":"Monogram in block, lower center: AD","texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<span lang=\"EN\">\n<p align=\"left\" dir=\"ltr\">Early in his career, Dürer displayed a remarkable ability to fuse the worlds of nature and the imagination. This skill is exemplified in this print and in <em>Saint Eustace</em> (shown nearby), both of which represent visionary experiences. <em>The Four Horsemen</em> is one of fifteen large woodcuts in Dürer’s Apocalypse series, published in 1498 when midmillennial fears of impending doom were widespread throughout Europe. Unlike previous illustrators of the last book of the Christian Bible, which describes Saint John’s revelation of the end of days, Dürer chose to display the first four representatives of God’s vengeance not sequentially but as a formidable galloping phalanx trampling all in their path. Three of the horsemen—Conquest, War, and Famine—ride on sturdy steeds, while a skeletal nag, bearing Death, keeps step, just ahead of the gaping mouth of Hell.</p></span>","remarks":"K1-3 rotation May 2019, K1-3 rotation April 2014"}],"datebegin":1497,"sortnumber":"1946  218x","published_date":"2026-02-11 07:39:11.928737","objectid":5447,"dimensions":"block (sheet trimmed to block): 39.3 × 28 cm (15 1/2 × 11 in.)","on_view":false}