{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of the artist in honor of his wife, Miaoling Zhang","caption":"Zhang Hongtu 張宏圖 (born 1943, Pingliang, China; active New York, NY), Six-Pack of Kekou-Kele (Coca-Cola), 2002. Jingdezhen porcelain with underglaze blue designs; 25.5 × 7 cm (each (with caps)). 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Jingdezhen porcelain with underglaze blue designs; 25.5 × 7 cm (each (with caps)). Gift of the artist in honor of his wife, Miaoling Zhang (2009-118 a-l)","displaydate":"2002","medium":"Jingdezhen porcelain with underglaze blue designs","media":[{"id":22986,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-118","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Bruce White Photography"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2009,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 69 (2010): p. 51-85.","citation":"\"Acquisitions of the Princeton University Art Museum 2009,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 69 (2010): p. 51-85., p. 52","date":2010,"id":1248,"uri":"https://www.jstor.org/stable/41757697"}],"nowebuse":"False","periods":[],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":2002,"depicted":[],"titles":[{"title":"Six-Pack of Kekou-Kele (Coca-Cola)","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© 2002, Zhang Hongtu","objectnumber":"2009-118 a-l","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Multivocal Label","textentryhtml":"<p>\n\tAs an immigrant artist, I have learned a lot from my life experiences in both China and the States, the most important one is: There has been neither “pure Eastern art” nor “pure Western art” in today’s world. But there is no need to regret this because it is precisely this vague middle ground that creates more creative freedom for artists. The two works of mine—<i>Mai Dang Lao </i>and <i>Kekou-Kele</i>—were produced under such cognition and background. My works may make people think about some serious issues of the moment, such as “modern consumerism,” “globalization,” etc., but in fact, if it only just gives you a small grin, I would also be very happy.\n</p>\n<p>\n\tNow, please turn your eyes from this label to the whole installation and examine the objects, which range from Western Zhou dynasty bronze to Ming dynasty-style blue-and-white floral porcelain to modern art by American pop art masters. I believe that after the survey, you will have your own understanding of my two works.\n</p>\n<p><b>\n\tZhang Hongtu</b>, Artist\n</p>","remarks":"ORI_06_WLA.pdf - Day 1 Installation. Group chat for 2006-505, y666, L.1989.4.10, 2021-289, 2009-118 a-l, y1965-7 a-b, y1965-10, 2003-145 a-d, 2012-112 a-b, 2012-111 a-b, and y1993-132"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<font color=\"#7030a0\"><span lang=\"EN\">2002–2009\tZhang Hongtu, born 1943 (Woodside, NY), by gift to the Princeton University Art Museum, 2009. </span></font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font>","remarks":null}],"datebegin":2002,"sortnumber":"2009  118 a    l","published_date":"2026-03-31 02:39:42.793125","objectid":55655,"dimensions":"each (with caps): 25.5 × 7 cm (10 1/16 × 2 3/4 in.)","on_view":true}