{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Allora & Calzadilla (American and Cuban, collaborating since 1995), Land Mark (Foot Prints), 2001–02. Chromogenic prints from digital files; 46 × 60.5 cm (each). Museum purchase, Fowler McCormick, Class of 1921, Fund (2009-147 a-l)","cultureterms":[{"id":2038473,"culture":"Cuban"},{"id":2038485,"culture":"Puerto Rican"},{"id":2038492,"culture":"American"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2054895,"term":"installations (sculpture)","aatid":300047896,"termtype":"Classification"},{"id":2132625,"term":"shoes (footwear)","aatid":300046065,"termtype":"Subject"},{"id":2038473,"term":"Cuban","aatid":300107948,"termtype":"Culture"},{"id":2038485,"term":"Puerto Rican","aatid":300107951,"termtype":"Culture"},{"id":2118675,"term":"text","aatid":300250810,"termtype":"Subject"},{"id":2055594,"term":"performance art","aatid":300121445,"termtype":"Subject"},{"id":2055594,"term":"performance art","aatid":300121445,"termtype":"Classification"},{"id":2135001,"term":"performances","aatid":300069200,"termtype":"Classification"},{"id":2166391,"term":"sand","aatid":300014341,"termtype":"Subject"},{"id":2188590,"term":"laser prints","aatid":null,"termtype":"Classification"},{"id":2053200,"term":"photographs","aatid":300046300,"termtype":"Classification"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2192623,"term":"footprints (foot impressions)","aatid":null,"termtype":"Subject"},{"id":2095890,"term":"political art","aatid":300256621,"termtype":"Subject"},{"id":2199159,"term":"colonialism","aatid":300400905,"termtype":"Subject"},{"id":2183957,"term":"firing ranges","aatid":300000451,"termtype":"Subject"},{"id":2154187,"term":"chromogenic processes","aatid":300133417,"termtype":"Techniques"},{"id":2156299,"term":"mounting","aatid":300081370,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place depicted: North America, Puerto Rico","code":"Place depicted","continent":"North America","subcontinent":null,"country":null,"region":null,"state":"Puerto Rico","city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"https://www.geonames.org/4568575/vieques-island.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"46.00"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"60.50"}],"markings":null,"accessionyear":"2009-01-01","newaccession":0,"makers":[{"id":19366,"displayname":"Allora & Calzadilla","displaydate":"American and Cuban, collaborating since 1995","datebegin":1995,"dateend":0,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Allora & Calzadilla, American and Cuban, collaborating since 1995","displayorder":1}],"datecomputed":2002,"signed":null,"restrictions":"Restricted","classification":"Photographs","packages":[{"packageid":270705,"name":"Web_CA_2025_LatinAmerican"},{"packageid":11595,"name":"Web_MM_2014-2"},{"packageid":167646,"name":"web_highlights"},{"packageid":175567,"name":"Web_All-Latin-American-Art_11_2018"},{"packageid":216686,"name":"2022_ART220/LAS230_11_30-12_01"},{"packageid":197269,"name":"web_highlights -revised 2021"}],"catalograisonne":null,"classifications":[{"id":2053200,"classification":"photographs"},{"id":2054895,"classification":"installations (sculpture)"},{"id":2188590,"classification":"laser prints"},{"id":2055594,"classification":"performance art"},{"id":2135001,"classification":"performances"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-a"],"displaytitle":"Land Mark (Foot Prints)","displayculture":null,"displaymaker":"Allora & Calzadilla, American and Cuban, collaborating since 1995","captionhtml":"Allora & Calzadilla (American and Cuban, collaborating since 1995), <i>Land Mark (Foot Prints)</i>, 2001–02. Chromogenic prints from digital files; 46 × 60.5 cm (each). Museum purchase, Fowler McCormick, Class of 1921, Fund (2009-147 a-l)","displaydate":"2001–02","medium":"Chromogenic prints from digital files","media":[{"id":108234,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-c","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108235,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-b","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108236,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-d","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108237,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-a","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108238,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-g","isprimary":0,"rank":7,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108239,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-e","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108240,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-f","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108241,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-h","isprimary":0,"rank":8,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108242,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-k","isprimary":0,"rank":11,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108243,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-j","isprimary":0,"rank":10,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108244,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-i","isprimary":0,"rank":9,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"},{"id":108245,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2009-147-l","isprimary":0,"rank":12,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2009,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 69 (2010): p. 51-85.","citation":"\"Acquisitions of the Princeton University Art Museum 2009,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 69 (2010): p. 51-85., p. 83","date":2010,"id":1248,"uri":"https://www.jstor.org/stable/41757697"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013)","citation":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013), p. 300 (illus.)","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"}],"nowebuse":"False","periods":[],"department":"Modern and Contemporary Art","attribute_groups":[{"id":2199323,"term":"Latin American Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199326,"term":"Photography","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":2002,"depicted":[],"titles":[],"hasimage":"true","creditlinerepro":"© 2002 Allora and Calzadilla","objectnumber":"2009-147 a-l","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":" [Galerie Chantal Crousel, Paris, France], sold; to Princeton University Art Museum, 2009.\n","remarks":"format amended by AP"},{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"\r\nKnown for integrating poetics and politics, the collaborative team of Jennifer Allora &amp; Guillermo Calzadilla explores issues such as ecology, nationalism, militarism, and self-determination. The twelve photographs comprising <I>Land Mark (Foot Prints)</I> document a performance that was also a civil disobedience campaign. Several times over the&nbsp;course of 2001 and 2002, Allora, Calzadilla, and a group of activists trespassed onto a United States Navy bombing range on a beach in Vieques, Puerto Rico. Each person wore customized soles on his or her shoes. Embossed with words and images, the soles spoke silently but assertively, voicing a host of positions, opinions, and grievances. Some of the messages were explicit, while others were more indirect. All, however, addressed what the artists and activists viewed as an unacceptable injustice: the occupation of Vieques by the United States Navy, one that commenced during World War II and finally ended in 2003. Ranging from delicate and shallow to emphatic and sculptural, each footprint is as unique as its message, and when they overlap, the footprints generate abstract patterns whose effect is in excess of their content. </P></SPAN>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nKnown for integrating poetics and politics, the collaborative team of Allora &amp; Calzadilla explores issues such as ecology, nationalism, militarism, and self-determination. The photographs comprising <I>Land Mark (Foot Prints)</I> document a performance that was also a civil disobedience campaign. Over the course of 2001 and 2002, Allora, Calzadilla, and a group of activists trespassed onto a United States Navy bombing range on a beach in Vieques, Puerto Rico. Each person wore customized soles on his or her shoes. Embossed with words and images, the soles spoke silently but assertively, voicing a host of positions, opinions, and grievances. Some of the messages were explicit, while others were more indirect. All, however, addressed what the artists and activists viewed as an unacceptable injustice: the occupation of Vieques by the United States Navy, which commenced during World War II and finally ended in 2003.</P></SPAN>","remarks":"MM Rotation January 2014"}],"datebegin":2001,"sortnumber":"2009  147 a    l","published_date":"2026-03-31 02:44:06.428522","objectid":58068,"dimensions":"each: 46 x 60.5 cm. (18 1/8 x 23 13/16 in.)","on_view":false}