{"secondaryobjectnumber":null,"periodterms":[{"id":2033561,"period":"Yüan"},{"id":2033562,"period":"Ming"}],"creditline":"Museum purchase in honor of Professor Jerome Silbergeld, Fowler McCormick, Class of 1921, Fund; with a gift from Giuseppe Eskenazi","caption":"Chinese, late Yuan dynasty to early Ming dynasty, 1368–1644 (1271–1368), Wang Zhenpeng 王振鵬, attributed to (ca. 1280–ca. 1329), Pavilion of Prince Teng (Tengwangge tu 滕王閣圖), 1312. Handscroll; ink on silk; 35.9 x 71.4 cm (Painting), 37 cm (mount). Museum purchase in honor of Professor Jerome Silbergeld, Fowler McCormick, Class of 1921, Fund; with a gift from Giuseppe Eskenazi (2010-65)","cultureterms":[{"id":2033355,"culture":"Chinese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2087360,"term":"pavilions (garden structures)","aatid":300006819,"termtype":"Subject"},{"id":2033355,"term":"Chinese","aatid":300018322,"termtype":"Culture"},{"id":2033561,"term":"Yüan","aatid":300018436,"termtype":"Period / Style"},{"id":2120146,"term":"mountains","aatid":300008795,"termtype":"Subject"},{"id":2033562,"term":"Ming","aatid":300018438,"termtype":"Period / Style"},{"id":2052977,"term":"paintings","aatid":300033618,"termtype":"Classification"},{"id":2095774,"term":"architecture genres","aatid":300056445,"termtype":"Subject"},{"id":2055694,"term":"landscapes (representations)","aatid":300015636,"termtype":"Subject"},{"id":2053034,"term":"scroll paintings","aatid":300033666,"termtype":"Classification"},{"id":2053038,"term":"handscrolls","aatid":300178463,"termtype":"Classification"},{"id":2044466,"term":"silk (textile)","aatid":300243428,"termtype":"Materials"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Asia, China","code":"Place made","continent":"Asia","subcontinent":null,"country":"China","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1814991/people-s-republic-of-china.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Painting","type":"Height","units":"centimeters","dimension":"35.90"},{"element":"Painting","type":"Width","units":"centimeters","dimension":"71.40"},{"element":"mount","type":"Height","units":"centimeters","dimension":"37.00"}],"markings":"Artist's seals: “Wang Zhenpeng” 王振鵬, “Pengmei” 朋梅, “Cihao Guyun chushi” 賜號孤雲處士","accessionyear":"2010-01-01","newaccession":0,"makers":[{"id":2980,"displayname":"Wang Zhenpeng 王振鵬","displaydate":"ca. 1280–ca. 1329","datebegin":1280,"dateend":1329,"prefix":null,"suffix":", attributed to","role":"Artist","displaymaker":"Wang Zhenpeng 王振鵬, attributed to, ca. 1280–ca. 1329","displayorder":4}],"datecomputed":1312,"signed":"Painted by the Recluse of the Lonely Cloud, Wang Zhenpeng","restrictions":null,"classification":"Paintings","packages":[{"packageid":198744,"name":"PUAM_Seascapes & Cityscapes"},{"packageid":267343,"name":"Web_CA_2025_Asian"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":null,"classifications":[{"id":2053038,"classification":"handscrolls"},{"id":2053034,"classification":"scroll paintings"},{"id":2052977,"classification":"paintings"}],"exhibitions":[{"exhibitionid":1374,"citation":"The Life and Death of Buildings (July 23–November 6, 2011)","isvirtual":true,"begindate":"2011-07-23","enddate":"2011-11-06","uri":"https://artmuseum.princeton.edu/art/exhibitions/1374"}],"cultures":[{"id":13592,"culture":"Chinese","alphasort":"Chinese","begindate":0,"enddate":0,"displayculture":"Chinese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65"],"displaytitle":"Pavilion of Prince Teng (Tengwangge tu 滕王閣圖)","displayculture":"Chinese","displaymaker":"Wang Zhenpeng 王振鵬, attributed to, ca. 1280–ca. 1329","captionhtml":"Chinese, late Yuan dynasty to early Ming dynasty, 1368–1644 (1271–1368), Wang Zhenpeng 王振鵬, attributed to (ca. 1280–ca. 1329), <i>Pavilion of Prince Teng (Tengwangge tu 滕王閣圖)</i>, 1312. Handscroll; ink on silk; 35.9 x 71.4 cm (Painting), 37 cm (mount). Museum purchase in honor of Professor Jerome Silbergeld, Fowler McCormick, Class of 1921, Fund; with a gift from Giuseppe Eskenazi (2010-65)","displaydate":"1312","medium":"Handscroll; ink on silk","media":[{"id":62407,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV08687","isprimary":0,"rank":31,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Inventory Project"},{"id":39996,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"},{"id":39997,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65_DET_a","isprimary":0,"rank":2,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"},{"id":39998,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65_DET_b","isprimary":0,"rank":3,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"},{"id":39999,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65_DET_c","isprimary":0,"rank":4,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"},{"id":40000,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65_DET_d","isprimary":0,"rank":5,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"},{"id":40001,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-65_DET_e","isprimary":0,"rank":6,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"Bruce White Photography"}],"displayperiod":"late Yuan dynasty to early Ming dynasty, 1368–1644, 1271–1368","extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"Zhejiang daxue Zhongguo gudai shuhua yanjiu zhong xin 浙江大學中國古代書畫研究中心. <em>Yuan hua quan ji</em>. 5, 4 (元畫全集 第五卷第四冊). Hangzhou: Zhejiang daxue chuban she 浙江大學出版社, 2012–onwards.","citation":"Zhejiang daxue Zhongguo gudai shuhua yanjiu zhong xin 浙江大學中國古代書畫研究中心. <em>Yuan hua quan ji</em>. 5, 4 (元畫全集 第五卷第四冊). Hangzhou: Zhejiang daxue chuban she 浙江大學出版社, 2012–onwards., no. 149","date":2012,"id":9241,"uri":"https://search.worldcat.org/title/879496746"},{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2010,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 70 (2011): p. 69-110.","citation":"\"Acquisitions of the Princeton University Art Museum 2010,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 70 (2011): p. 69-110., p. 80 (illus.)","date":2011,"id":2974,"uri":"https://www.jstor.org/stable/23631219"}],"nowebuse":"False","periods":[{"id":12561,"period":"Yuan dynasty","alphasort":"Yuan dynasty","begindate":1271,"enddate":1368,"displayperiod":"late Yuan dynasty to early Ming dynasty, 1368–1644, 1271–1368","displaydate":"1271–1368"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"}],"daterange":"A.D. 1000-1500","dateend":1312,"depicted":[],"titles":[{"title":"Pavilion of Prince Teng (Tengwangge tu 滕王閣圖)","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"2010-65","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Description","textentryhtml":"<P>An entry courtyard at lower right leads to a series of intricately rendered halls and pavilions built on terraces, which step down from right to left to a mist filled lake.&nbsp; A boat sails in the lake while the prow of another can be seen rounding the leftmost pavilion.&nbsp; Mountain peaks in ink-wash texture strokes rise in the distance through the mist.&nbsp; Male figures drawn without facial details can be seen inside the buildings and on the distant sailboat.&nbsp; In the upper left is a transcription of the Tang dynasty poet, Wang Bo’s 王勃 “Preface to the Pavilion of Prince Teng” (675).&nbsp; </P>\r\n<P>The original Pavilion was built in 653 overlooking the Gan River at present-day Nanchang, Jiangxi province.&nbsp; It was erected by Li Yuanying 李元嬰, the son of the founding Tang emperor and enfeoffed as the Prince of Teng.&nbsp; When the local commander-in-chief Yan restored the structure in the 670s, scholars were invited to compose poems.&nbsp; Wang Bo’s preface and poem about human mortality and existential transience became a defining literary monument for the Pavilion’s enduring fame and memory.&nbsp; The poem was later included in many anthologies and rewritten by many well-known calligraphers, and became Wang Bo’s most remembered work. The pavilion became a conventional subject of paintings, and lines from the preface were hung throughout the building.<BR>...<BR>The pavilion’s prince –<BR>Where is he now?<BR>Beyond the railing, the lengthy river<BR>flows by in vain.&nbsp; </P>\r\n<P>A colophon by the Ming dynasty scholar Hu Yan 胡儼 (1361–1443, a native of Nanchang where the Pavilion is located) was reported in 1924 to be on this handscroll.&nbsp; Since 1924, the scroll has been cut and framed, and the colophon is no longer extant. </P>","remarks":"as per object file"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<span lang=\"FR\"><p align=\"LEFT\" dir=\"LTR\">\t–ca. 1924\tPrivate Collection (Shanghai, China).</p>\n<p align=\"LEFT\" dir=\"LTR\"><span lang=\"EN\">–1988 \tPrivate Collection (Europe), sold at Sotheby’s (New York) to Eskenazi, Ltd. (London, United Kingdom), Nov. 30, 1988.</span></p><p align=\"LEFT\" dir=\"LTR\"><span lang=\"EN\">1988–2010\tEskenazi, Ltd. (London, United Kingdom), sold and by gift to the Princeton University Art Museum, 2010.\t</span></p>\n\n\n\n</span>","remarks":null}],"datebegin":1312,"sortnumber":"2010   65","published_date":"2026-02-11 12:20:48.895967","objectid":58413,"dimensions":"Painting: 35.9 x 71.4 cm. (14 1/8 x 28 1/8 in.)\r\nMount: h. 37 cm. (14 9/16 in.)","on_view":false}