{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Herbert Schorr, Graduate School Class of 1963, and Mrs. Schorr","caption":"Nikki S. Lee (born 1970, Kye-Chang, South Korea; active New York, NY and Seoul), The Hispanic Project (1), 1998. Chromogenic print; 78.7 × 104.1 cm, 78.4 × 103.8 × 4 cm (frame). Gift of Herbert Schorr, Graduate School Class of 1963, and Mrs. Schorr (2010-207)","cultureterms":[{"id":2034152,"culture":"Korean"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2053503,"term":"chromogenic color prints","aatid":300236285,"termtype":"Classification"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2055594,"term":"performance art","aatid":300121445,"termtype":"Subject"},{"id":2119376,"term":"cities","aatid":300008389,"termtype":"Subject"},{"id":2134998,"term":"parades","aatid":300069283,"termtype":"Subject"},{"id":2088615,"term":"policemen","aatid":300264351,"termtype":"Subject"},{"id":2034152,"term":"Korean","aatid":300018668,"termtype":"Culture"},{"id":2053200,"term":"photographs","aatid":300046300,"termtype":"Classification"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2053737,"term":"color photographs","aatid":300128359,"termtype":"Classification"},{"id":2078146,"term":"buildings","aatid":300004792,"termtype":"Subject"},{"id":2096284,"term":"culture","aatid":300055768,"termtype":"Subject"},{"id":2154187,"term":"chromogenic processes","aatid":300133417,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: North America, United States, New York, Manhattan, New York, East Harlem","code":"Place made","continent":"North America","subcontinent":null,"country":"United States","region":null,"state":"New York","city":"Manhattan, New York","county":null,"subregion":null,"locale":"East Harlem","locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/6332428/east-harlem.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"78.73"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"104.13"},{"element":"frame","type":"Height","units":"centimeters","dimension":"78.40"},{"element":"frame","type":"Width","units":"centimeters","dimension":"103.80"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"4.00"}],"markings":null,"accessionyear":"2010-01-01","newaccession":0,"makers":[{"id":16467,"displayname":"Nikki S. Lee","displaydate":"born 1970, Kye-Chang, South Korea; active New York, NY and Seoul","datebegin":1970,"dateend":2100,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Nikki S. Lee, born 1970, Kye-Chang, South Korea; active New York, NY and Seoul","displayorder":1}],"datecomputed":1998,"signed":null,"restrictions":"Restricted","classification":"Photographs","packages":[{"packageid":206417,"name":"image_descriptions_top250"},{"packageid":128063,"name":"web_2018_migrations_photo"},{"packageid":11595,"name":"Web_MM_2014-2"},{"packageid":212333,"name":"2022_VIS231_04_18"},{"packageid":183111,"name":"Photo_remainder"},{"packageid":181661,"name":"CRS_2020_ART214_04_14&16-17"},{"packageid":229383,"name":"2023_VIS231_04_04"},{"packageid":229455,"name":"2023_VIS411_04_12"}],"catalograisonne":null,"classifications":[{"id":2053200,"classification":"photographs"},{"id":2053503,"classification":"chromogenic color prints"},{"id":2053737,"classification":"color photographs"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2010-207"],"displaytitle":"The Hispanic Project (1)","displayculture":null,"displaymaker":"Nikki S. Lee, born 1970, Kye-Chang, South Korea; active New York, NY and Seoul","captionhtml":"Nikki S. Lee (born 1970, Kye-Chang, South Korea; active New York, NY and Seoul), <i>The Hispanic Project (1)</i>, 1998. Chromogenic print; 78.7 × 104.1 cm, 78.4 × 103.8 × 4 cm (frame). Gift of Herbert Schorr, Graduate School Class of 1963, and Mrs. Schorr (2010-207)","displaydate":"1998","medium":"Chromogenic print","media":[{"id":52540,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2010-207","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"PUAM photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2010,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 70 (2011): p. 69-110.","citation":"\"Acquisitions of the Princeton University Art Museum 2010,\"&nbsp;<em>Record of the Princeton University Art Museum</em> 70 (2011): p. 69-110., pp. 96–97 (illus.)","date":2011,"id":2974,"uri":"https://www.jstor.org/stable/23631219"}],"nowebuse":"False","periods":[],"department":"Photography","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199326,"term":"Photography","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1998,"depicted":[],"titles":[{"title":"The Hispanic Project (1)","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© 1998, Nikki Lee","objectnumber":"2010-207","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<SPAN lang=EN>\r\n<P dir=ltr align=left>In her series <I>Projects</I>, Lee adapted methods from anthropological fieldwork and performance art to scrutinize the visual cues of social groups—including drag queens, punks, senior citizens, exotic dancers, skateboarders, lesbians, young urban professionals, and Korean schoolgirls. After making herself over, she would seek admission into these social circles and adapt her style and mannerisms. Lee has said that the pictures were taken by her new acquaintances, with the only instruction being to get her within the frame. The resulting photographs are ambiguous documents of the encounter between the artist and her collaborators. Responding to the critique that photographers manipulate the representation of others, Lee investigates the complex dynamic between photographer, subject, and viewer.</P></SPAN>","remarks":"Photography and Belonging rotation"}],"datebegin":1998,"sortnumber":"2010  207","published_date":"2026-03-31 02:45:50.710385","objectid":60549,"dimensions":"78.7 × 104.1 cm (31 × 41 in.)\r\nframe: 78.4 × 103.8 × 4 cm (30 7/8 × 40 7/8 × 1 9/16 in.)","on_view":false}