{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Bequest of Jessie P. Frothingham","caption":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), Rembrandt in Velvet Cap, 1638. Etching; 13.8 × 10.5 cm (plate, sheet trimmed to plate). Bequest of Jessie P. Frothingham (x1949-229)","cultureterms":[{"id":2031635,"culture":"Dutch"},{"id":2031563,"culture":"European"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2031635,"term":"Dutch","aatid":300111175,"termtype":"Culture"},{"id":2055785,"term":"self-portraits","aatid":300124534,"termtype":"Subject"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2054569,"term":"etchings","aatid":300041365,"termtype":"Classification"},{"id":2031563,"term":"European","aatid":300020656,"termtype":"Culture"},{"id":2154976,"term":"etching (printing process)","aatid":300053241,"termtype":"Techniques"},{"id":2167714,"term":"printing ink","aatid":300187371,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Europe, Netherlands","code":"Place made","continent":"Europe","subcontinent":null,"country":"Netherlands","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/2750405/kingdom-of-the-netherlands.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"plate","type":"Height","units":"centimeters","dimension":"13.80"},{"element":"plate","type":"Width","units":"centimeters","dimension":"10.50"}],"markings":null,"accessionyear":"1949-01-01","newaccession":0,"makers":[{"id":1550,"displayname":"Rembrandt van Rijn","displaydate":"1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","datebegin":1606,"dateend":1669,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","displayorder":1}],"datecomputed":1638,"signed":null,"restrictions":null,"classification":"Prints","packages":[{"packageid":194452,"name":"PUAM_World of Prints"},{"packageid":253323,"name":"ART487_MIRADOR"},{"packageid":184110,"name":"CRS_2020_NataliePrizel_Mellon"},{"packageid":207234,"name":"SAB_Gala2021"}],"catalograisonne":"Bartsch 20; Biörklund and Barnard 38; Hind 156; Hollstein 9; Münz 22; New Hollstein 31.170","classifications":[{"id":2054256,"classification":"prints"},{"id":2054569,"classification":"etchings"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/INV27356"],"displaytitle":"Rembrandt in Velvet Cap","displayculture":null,"displaymaker":"Rembrandt van Rijn, 1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands","captionhtml":"Rembrandt van Rijn (1606–1669; born Leiden, Netherlands; died Amsterdam, Netherlands), <i>Rembrandt in Velvet Cap</i>, 1638. Etching; 13.8 × 10.5 cm (plate, sheet trimmed to plate). Bequest of Jessie P. Frothingham (x1949-229)","displaydate":"1638","medium":"Etching","media":[{"id":102619,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/INV27356","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>F.W.H. Hollstein, “Rembrandt,” <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>Dutch and Flemish etchings, engravings, and woodcuts, ca. 1450-1700</SPAN></EM> (Amsterdam: M. Hertzberger, 1969).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 9","date":1969,"id":6590,"uri":"https://search.worldcat.org/title/8532176"},{"boilertext":"\"Recent Acquisitions,\" <EM>Record of the Art Museum, Princeton University </EM>8, no. 2 (1949): 11<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: TisaWebPro, \"Times Roman\", Times, Georgia, serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(0,0,0); FONT-STYLE: normal; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(255,255,255); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'>–</SPAN>12.","citation":"\"Recent Acquisitions,\" <EM>Record of the Art Museum, Princeton University </EM>8, no. 2 (1949): 11<SPAN style='FONT-SIZE: 15px; FONT-FAMILY: TisaWebPro, \"Times Roman\", Times, Georgia, serif; WHITE-SPACE: normal; WORD-SPACING: 0px; TEXT-TRANSFORM: none; FLOAT: none; FONT-WEIGHT: normal; COLOR: rgb(0,0,0); FONT-STYLE: normal; ORPHANS: 2; WIDOWS: 2; DISPLAY: inline !important; LETTER-SPACING: normal; BACKGROUND-COLOR: rgb(255,255,255); TEXT-INDENT: 0px; font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial'>–</SPAN>12., p. 12","date":1949,"id":7849,"uri":"https://www.jstor.org/stable/3774309"},{"boilertext":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797).","citation":"E. F. Gersaint and Adam von Bartsch, <em>Catalogue raisonné de toutes les estampes qui forment l’oeuvre de Rembrandt et ceux de ses principaux imitateurs</em> (Vienne: A Blumauer, 1797)., no. 20","date":1752,"id":6382,"uri":"https://search.worldcat.org/title/323251"},{"boilertext":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912).","citation":"Arthur Mayger Hind, <em>Rembrandt's etchings: an essay and a catalogue, with some notes on the drawings</em> (New York: Scribner, 1912)., no. 156","date":0,"id":6452,"uri":"https://search.worldcat.org/title/680842597"},{"boilertext":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>","citation":"<P class=MsoNormal style=\"MARGIN: 0in 0in 0pt; LINE-HEIGHT: normal; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto; mso-outline-level: 1\"><SPAN style='FONT-SIZE: 9pt; FONT-FAMILY: \"Arial\",sans-serif'>Erik&nbsp;Hinterding and Jaco Rutgers, Ger Luijten, ed., \"Rembrandt,\" <EM><SPAN style='FONT-FAMILY: \"Arial\",sans-serif'>New Hollstein Dutch &amp; Flemish etchings, engravings and woodcuts, 1450-1700 </SPAN></EM>(Ouderkerk aan den Ijssel: Sound &amp; Vision Publishers ; Amsterdam: In co-operation with the Rijksprentenkabinet, Rijksmuseum, 2013).<?xml:namespace prefix = \"o\" ns = \"urn:schemas-microsoft-com:office:office\" /><o:p></o:p></SPAN></P>, no. 170, p. 31","date":2013,"id":6453,"uri":"https://search.worldcat.org/title/844154989"},{"boilertext":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968).","citation":"George Biörklund and Osbart H. Barnard, Rembrandt's Etchings, True and False (Stockholm, New York [etc.], 1968)., no. 38","date":1968,"id":6474,"uri":"https://search.worldcat.org/title/10926"},{"boilertext":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952).","citation":"Ludwig Münz, <em>Rembrandt's Etchings: Reproductions of the Whole Original Etched Work</em> (London: Phaidon Press, 1952)., no. 22","date":1952,"id":6476,"uri":"https://search.worldcat.org/title/1534415"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199321,"term":"European Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1600-1700","dateend":1638,"depicted":[],"titles":[{"title":"Rembrandt in Velvet Cap","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"x1949-229","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nDuring his forty-year career, Rembrandt painted, etched, and drew more than seventy-five self-portraits. These introspective works reveal a complex quest for identity that is tied to the growth of individualism in seventeenth-century Holland. In these two etchings, which date from Rembrandt’s first decade in Amsterdam, he dons a luxurious, old-fashioned costume—selected from his large collection of studio props—to fashion himself as an imagined Renaissance monarch or courtier. In doing so, he set himself apart from conventional self-portraiture, which featured contemporary gentlemanly attire, at a time when he was intent on establishing himself as a successful portraitist and virtuoso artist.</P></SPAN>","remarks":"K1-3 rotation, see also x1970-66"}],"datebegin":1638,"sortnumber":"1949  229x","published_date":"2026-02-11 07:57:27.625473","objectid":7280,"dimensions":"plate (sheet trimmed to plate): 13.8 × 10.5 cm (5 7/16 × 4 1/8 in.)","on_view":false}