{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Cássio Vasconcellos (born 1965, São Paulo, Brazil, active São Paulo), Vidal de Negreiros–Ilha Bela, 1988. Gelatin silver print; 34.2 × 51.4 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2013-65)","cultureterms":[{"id":2038525,"culture":"Brazilian"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2055788,"term":"seascapes","aatid":300117546,"termtype":"Subject"},{"id":2053200,"term":"photographs","aatid":300046300,"termtype":"Classification"},{"id":2038525,"term":"Brazilian","aatid":300107967,"termtype":"Culture"},{"id":2053541,"term":"gelatin silver prints","aatid":300128695,"termtype":"Classification"},{"id":2102367,"term":"ships","aatid":300082981,"termtype":"Subject"},{"id":2171730,"term":"waves (natural events)","aatid":null,"termtype":"Subject"},{"id":2119813,"term":"oceans","aatid":300008687,"termtype":"Subject"},{"id":2053728,"term":"black-and-white photographs","aatid":300128347,"termtype":"Classification"},{"id":2154022,"term":"gelatin silver process","aatid":300139114,"termtype":"Techniques"}],"geography":[{"displaygeography":"Place made: South America, Brazil, São Paulo","code":"Place made","continent":"South America","subcontinent":null,"country":"Brazil","region":null,"state":null,"city":"São Paulo","county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/3448439/sao-paulo.html","location":{"lat":"-23.5475","lon":"-46.63611"}}],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"34.20"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"51.40"}],"markings":null,"accessionyear":"2013-01-01","newaccession":0,"makers":[{"id":17886,"displayname":"Cássio Vasconcellos","displaydate":"born 1965, São Paulo, Brazil, active São Paulo","datebegin":1965,"dateend":2100,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Cássio Vasconcellos, born 1965, São Paulo, Brazil, active São Paulo","displayorder":1}],"datecomputed":1988,"signed":null,"restrictions":"Restricted","classification":"Photographs","packages":[{"packageid":127023,"name":"web_2018_MM_Migrations"},{"packageid":183111,"name":"Photo_remainder"},{"packageid":175567,"name":"Web_All-Latin-American-Art_11_2018"},{"packageid":185691,"name":"web_norightsclearance2000-present"}],"catalograisonne":null,"classifications":[{"id":2053541,"classification":"gelatin silver prints"},{"id":2053728,"classification":"black-and-white photographs"},{"id":2053200,"classification":"photographs"}],"exhibitions":[],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/VidaldeNegreiros"],"displaytitle":"Vidal de Negreiros–Ilha Bela","displayculture":null,"displaymaker":"Cássio Vasconcellos, born 1965, São Paulo, Brazil, active São Paulo","captionhtml":"Cássio Vasconcellos (born 1965, São Paulo, Brazil, active São Paulo), <i>Vidal de Negreiros–Ilha Bela</i>, 1988. Gelatin silver print; 34.2 × 51.4 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2013-65)","displaydate":"1988","medium":"Gelatin silver print","media":[{"id":110095,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/VidaldeNegreiros","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Exhibition Use Only"}],"displayperiod":null,"extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2013,\"<em>&nbsp;Record of the Princeton University Art Museum</em> 73 (2014): p. 37-64.","citation":"\"Acquisitions of the Princeton University Art Museum 2013,\"<em>&nbsp;Record of the Princeton University Art Museum</em> 73 (2014): p. 37-64., p. 59","date":2014,"id":2980,"uri":"https://search.worldcat.org/title/61312705"}],"nowebuse":"False","periods":[],"department":"Photography","attribute_groups":[{"id":2199323,"term":"Latin American Art","termtype":"Collecting Area"},{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199326,"term":"Photography","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1988,"depicted":[],"titles":[{"title":"Vidal de Negreiros–Ilha Bela","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© 1988 Cássio Vasconcellos\r\n","objectnumber":"2013-65","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>Please Do Not Bend Gallery;</p><p>Purchased by Princeton University Art Museum</p>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<SPAN lang=EN>\r\n<P dir=ltr align=left>Vasconcellos took the pictures in his series<I> Navios (Ships) </I>using an underwater camera held barely above the water’s surface. Seeking to mimic the instability of water, he printed the image using an out-of-focus enlarger and pieces of cotton soaked in developer. Then, in a gesture of material alchemy, he turned the photograph into a sort of vessel itself, using a sepia finish to give the picture the shiplike tone of rusted iron. Recalling the legacy of multinational exploitation of natural resources in the Americas, the title refers to the Petrobras (Brazilian petroleum) cargo ship shown in the image as well as the Brazilian colonial hero André Vidal de Negreiros, who led the insurrection against the Dutch invasion of the Portugese colony of Brazil in the seventeenth <SPAN lang=EN>century. </SPAN></SPAN></P>","remarks":"Migration and Material Alchemy: Marquand Mather Rotation "}],"datebegin":1988,"sortnumber":"2013   65","published_date":"2026-03-31 03:13:31.281176","objectid":81864,"dimensions":"34.2 × 51.4 cm (13 7/16 × 20 1/4 in.)","on_view":false}