{"secondaryobjectnumber":null,"periodterms":[{"id":2033898,"period":"Edo (Japanese period)"}],"creditline":"Museum purchase, Laura P. Hall Memorial Fund, selected for acquisition by students in ART 425: The Japanese Print","caption":"Japanese, Edo period (1603–1868), Suzuki Harunobu 鈴木春信 (1725–1770), Lovers’ Parting Embrace through a Mosquito Net (Kinuginu no wakare kaya no naigai きぬぎぬの別れ（蚊帳の内外）), ca. 1767–69 [Meiwa 4–5]. Woodblock print (chūban tate-e format); ink and color on paper; 28.4 × 21.4 cm (block), 53.2 × 40.6 × 2.5 cm (frame). Museum purchase, Laura P. Hall Memorial Fund, selected for acquisition by students in ART 425: The Japanese Print (2013-5)","cultureterms":[{"id":2033838,"culture":"Japanese"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2094346,"term":"lovers","aatid":300188621,"termtype":"Subject"},{"id":2088270,"term":"men","aatid":300025928,"termtype":"Subject"},{"id":2055657,"term":"figures (representations)","aatid":300189808,"termtype":"Subject"},{"id":2106630,"term":"rooms","aatid":300004044,"termtype":"Subject"},{"id":2142706,"term":"mosquito nets","aatid":300024806,"termtype":"Subject"},{"id":2033898,"term":"Edo (Japanese period)","aatid":300106643,"termtype":"Period / Style"},{"id":2054726,"term":"woodblock prints","aatid":300041405,"termtype":"Classification"},{"id":2088280,"term":"women","aatid":300025943,"termtype":"Subject"},{"id":2034118,"term":"Ukiyo-e","aatid":300106769,"termtype":"Subject"},{"id":2054256,"term":"prints","aatid":300041273,"termtype":"Classification"},{"id":2088539,"term":"courtesans","aatid":300236521,"termtype":"Subject"},{"id":2133996,"term":"monkeys","aatid":null,"termtype":"Subject"},{"id":2033838,"term":"Japanese","aatid":300018519,"termtype":"Culture"},{"id":2054315,"term":"chuban","aatid":300041286,"termtype":"Materials"},{"id":2155129,"term":"woodcut","aatid":300053296,"termtype":"Techniques"},{"id":2043820,"term":"paper","aatid":300014109,"termtype":"Materials"},{"id":2055845,"term":"color","aatid":300056130,"termtype":"Materials"},{"id":2167672,"term":"ink","aatid":300015012,"termtype":"Materials"}],"geography":[{"displaygeography":"Place made: Asia, Japan","code":"Place made","continent":"Asia","subcontinent":null,"country":"Japan","region":null,"state":null,"city":null,"county":null,"subregion":null,"locale":null,"locus":null,"river":null,"excavation":null,"geoname":"http://www.geonames.org/1861060/japan.html","location":{"lat":"","lon":""}}],"dimensionelements":[{"element":"frame","type":"Height","units":"centimeters","dimension":"53.20"},{"element":"frame","type":"Width","units":"centimeters","dimension":"40.60"},{"element":"frame","type":"Depth","units":"centimeters","dimension":"2.50"},{"element":"block","type":"Height","units":"centimeters","dimension":"28.40"},{"element":"block","type":"Width","units":"centimeters","dimension":"21.40"}],"markings":null,"accessionyear":"2013-01-01","newaccession":0,"makers":[{"id":2649,"displayname":"Suzuki Harunobu 鈴木春信","displaydate":"1725–1770","datebegin":1725,"dateend":1725,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Suzuki Harunobu 鈴木春信, 1725–1770","displayorder":3}],"datecomputed":1768,"signed":"signed: Suzuki Harunobu ga 鈴木春信画","restrictions":null,"classification":"Prints","packages":[{"packageid":52766,"name":"web_2015_10_japan_studentcurators"},{"packageid":207234,"name":"SAB_Gala2021"},{"packageid":241081,"name":"TDC-Final [7]"},{"packageid":197269,"name":"web_highlights -revised 2021"},{"packageid":220938,"name":"web_2000-2022printacquisitions"},{"packageid":68532,"name":"web_wopsr_Asian_2016-03"},{"packageid":52459,"name":"web_Japanese_studentcurators_2015"},{"packageid":134982,"name":"web_2018_K2_Interiors_Install_April"}],"catalograisonne":null,"classifications":[{"id":2054256,"classification":"prints"},{"id":2054726,"classification":"woodblock prints"}],"exhibitions":[],"cultures":[{"id":13690,"culture":"Japanese","alphasort":"Japanese","begindate":0,"enddate":0,"displayculture":"Japanese","displaydate":null}],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/TC2012-71-1"],"displaytitle":"Lovers’ Parting Embrace through a Mosquito Net (Kinuginu no wakare kaya no naigai きぬぎぬの別れ（蚊帳の内外）)","displayculture":"Japanese","displaymaker":"Suzuki Harunobu 鈴木春信, 1725–1770","captionhtml":"Japanese, Edo period (1603–1868), Suzuki Harunobu 鈴木春信 (1725–1770), <i>Lovers’ Parting Embrace through a Mosquito Net (Kinuginu no wakare kaya no naigai きぬぎぬの別れ（蚊帳の内外）)</i>, ca. 1767–69 [Meiwa 4–5]. Woodblock print (chūban tate-e format); ink and color on paper; 28.4 × 21.4 cm (block), 53.2 × 40.6 × 2.5 cm (frame). Museum purchase, Laura P. Hall Memorial Fund, selected for acquisition by students in ART 425: The Japanese Print (2013-5)","displaydate":"ca. 1767–69 [Meiwa 4–5]","medium":"Woodblock print (chūban tate-e format); ink and color on paper","media":[{"id":101900,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/TC2012-71-1","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM photo"}],"displayperiod":"Edo period, 1603–1868","extended_content":false,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2013,\"<em>&nbsp;Record of the Princeton University Art Museum</em> 73 (2014): p. 37-64.","citation":"\"Acquisitions of the Princeton University Art Museum 2013,\"<em>&nbsp;Record of the Princeton University Art Museum</em> 73 (2014): p. 37-64., pp. 48–49 (illus.)","date":2014,"id":2980,"uri":"https://search.worldcat.org/title/61312705"}],"nowebuse":"False","periods":[{"id":12589,"period":"Edo period","alphasort":"Edo period","begindate":1603,"enddate":1868,"displayperiod":"Edo period, 1603–1868","displaydate":"1603–1868"}],"department":"Asian Art","attribute_groups":[{"id":2199319,"term":"Asian Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1700-1800","dateend":1769,"depicted":[],"titles":[{"title":"Lovers’ Parting Embrace through a Mosquito Net (Kinuginu no wakare kaya no naigai きぬぎぬの別れ（蚊帳の内外）)","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":null,"objectnumber":"2013-5","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"<SPAN lang=EN>\r\n<P dir=ltr align=left><EM>Ukiyo-e</EM>, or \"floating world,\" prints such as this depict Edo period Japan’s pleasure districts with their brothels, teahouses, and theaters. This intimate portrayal of two lovers is typical of the genre, but also represents a novel innovation of <I>ukiyo-e </I>culture, as Harunobu was among the first Japanese artists to produce multicolor woodblock prints for the commercial market. Set in an elegantly furnished room, here a courtesan and her lover part after a night together. Sitting on a futon bed covered by a mosquito-net tent, the woman reaches out toward the man. An artificial light, the lantern on the floor functions as a stand-in for the moon in the large ink painting <SPAN lang=EN>on the wall, in which a gibbon reaches down to grasp the moon’s reflection—a reference to the transient nature of love. </P></SPAN></SPAN>","remarks":"K2 Corridor: Revealing Interiors"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<font color=\"#7030a0\"><span lang=\"EN\">–2013\tSebastian Izzard LLC Asian Art (New York, NY), sold to the Princeton University Art Museum, 2013.</span></font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font><font color=\"#7030a0\">\n</font>","remarks":null}],"datebegin":1767,"sortnumber":"2013    5","published_date":"2026-03-05 10:58:14.226449","objectid":85602,"dimensions":"block: 28.4 × 21.4 cm (11 3/16 × 8 7/16 in.)\r\nframe: 53.2 × 40.6 × 2.5 cm (20 15/16 × 16 × 1 in.)","on_view":false}