{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Museum purchase, Fowler McCormick, Class of 1921, Fund","caption":"Alan Saret (American, born 1944), Haah, 1982. Stainless steel; 137.2 x 152.4 x 121.9 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2013-13)","cultureterms":[{"id":2038492,"culture":"American"}],"type":"artobject","dimensionsproposed":"","terms":[{"id":2099007,"term":"shadows","aatid":300056036,"termtype":"Subject"},{"id":2038492,"term":"American","aatid":300107956,"termtype":"Culture"},{"id":2171706,"term":"clouds","aatid":null,"termtype":"Subject"},{"id":2095240,"term":"symbolism","aatid":300055865,"termtype":"Subject"},{"id":2054791,"term":"sculpture","aatid":300047090,"termtype":"Classification"},{"id":2161853,"term":"stainless steel","aatid":300010920,"termtype":"Materials"}],"geography":[],"dimensionelements":[{"element":"Overall","type":"Height","units":"centimeters","dimension":"137.15"},{"element":"Overall","type":"Width","units":"centimeters","dimension":"152.39"},{"element":"Overall","type":"Depth","units":"centimeters","dimension":"121.91"}],"markings":null,"accessionyear":"2013-01-01","newaccession":0,"makers":[{"id":3463,"displayname":"Alan Saret","displaydate":"American, born 1944","datebegin":1944,"dateend":2100,"prefix":null,"suffix":null,"role":"Artist","displaymaker":"Alan Saret, American, born 1944","displayorder":1}],"datecomputed":1982,"signed":null,"restrictions":"Restricted","classification":"Sculpture","packages":[{"packageid":3341,"name":"web_Assemblage_Faces+Facets"}],"catalograisonne":null,"classifications":[{"id":2054791,"classification":"sculpture"}],"exhibitions":[{"exhibitionid":1573,"citation":"Faces and Facets, Princeton University Art Museum (July 6–August 18, 2013)","isvirtual":true,"begindate":"2013-07-06","enddate":"2013-08-18","uri":"https://artmuseum.princeton.edu/art/exhibitions/1573"}],"cultures":[],"primaryimage":["https://media.artmuseum.princeton.edu/iiif/3/collection/2013-13_1"],"displaytitle":"Haah","displayculture":null,"displaymaker":"Alan Saret, American, born 1944","captionhtml":"Alan Saret (American, born 1944), Haah, 1982. Stainless steel; 137.2 x 152.4 x 121.9 cm. Museum purchase, Fowler McCormick, Class of 1921, Fund (2013-13)","displaydate":"1982","medium":"Stainless steel","media":[{"id":118628,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/2013-13_1","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":"Restricted","caption":"Bruce White Photography"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"\"Acquisitions of the Princeton University Art Museum 2013,\" Record of the Princeton University Art Museum 73 (2014): p. 37-64.","citation":"\"Acquisitions of the Princeton University Art Museum 2013,\" Record of the Princeton University Art Museum 73 (2014): p. 37-64., p. 52","date":2014,"id":2980,"uri":"https://search.worldcat.org/title/61312705"}],"nowebuse":"False","periods":[],"department":"Modern and Contemporary Art","attribute_groups":[{"id":2199324,"term":"Art Since 1945","termtype":"Collecting Area"},{"id":2199325,"term":"North American Art","termtype":"Collecting Area"}],"daterange":"A.D. 1945-present","dateend":1982,"depicted":[],"titles":[{"title":"Haah","titletype":"Primary Title","displayorder":1}],"hasimage":"true","creditlinerepro":"© Alan Saret / courtesy James Cohan Gallery, New York","objectnumber":"2013-13","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"\r\nAssociated with a radical shift in sculpture known as post-minimalism, Saret’s most important works are all volume and no mass. Porous to the surrounding environment, Haah uses a flexible, industrial material as well as irregular, organic forms that register the downward pull of gravity. Haah’s delicacy and discontinuity, a direct riposte to the solidity and stability of Minimalist sculpture, is characteristic of Saret’s sculpture, as are the shadows it casts on the floor or platform underneath it, which trigger a play between reality and illusion as well as sculpture and drawing.\r\nSymbolism is important to works like Haah: many of Saret’s twisted wire sculptures evoke clouds, clusters of galaxies, primordial matter, and alchemical processes. Some of the artist’s thinking about the work he created after 1971 reflects his residence in India, where he came to understand art in increasingly spiritual and ritualistic terms.","remarks":"PBL April 2014 rotation"},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"[James Cohan Gallery, New York, New York], sold; to Princeton University Art Museum, 2013.","remarks":"as per invoice in curatorial file. AP."}],"datebegin":1982,"sortnumber":"2013 13","published_date":"2026-03-31 03:14:43.867790","objectid":86377,"dimensions":"137.2 x 152.4 x 121.9 cm (54 x 60 x 48 in.)","on_view":false}