{"secondaryobjectnumber":null,"periodterms":[],"creditline":"Gift of Mrs. Frank Jewett Mather Jr.","caption":"Thomas Eakins (1844–1916; born and died Philadelphia, PA), Seventy Years Ago, 1877. Watercolor and gouache; 39.8 x 27.4 cm. 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Watercolor and gouache; 39.8 x 27.4 cm. Gift of Mrs. Frank Jewett Mather Jr. (x1957-118)","displaydate":"1877","medium":"Watercolor and gouache","media":[{"id":158085,"uri":"https://media.artmuseum.princeton.edu/iiif/3/collection/STU00693","isprimary":1,"rank":1,"mediatypeid":1,"mediaviewtype":"(not assigned)","restrictions":null,"caption":"PUAM Photo"}],"displayperiod":null,"extended_content":true,"campuscollections":"false","bibliography":[{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013)","citation":"<i>Princeton University Art Museum: Handbook of the Collections </i>(Princeton, NJ: Princeton University Art Museum, 2013), p. 336","date":2013,"id":1994,"uri":"https://search.worldcat.org/title/865020505"},{"boilertext":"Lloyd Goodrich, <EM>Thomas Eakins: his life and work</EM>, (New York: Whitney Museum of American Art, 1933).","citation":"Lloyd Goodrich, <EM>Thomas Eakins: his life and work</EM>, (New York: Whitney Museum of American Art, 1933)., p. 171, no. 114","date":1933,"id":3539,"uri":"https://search.worldcat.org/title/18406486"},{"boilertext":"John Wilmerding, John Hayes, Susan Danly, Amy B. Werbel and Jennifer Hardin, <em>Thomas Eakins (1844-1916) and the Heart of American life</em>, (London: National Portrait Gallery, 1993)","citation":"John Wilmerding, John Hayes, Susan Danly, Amy B. Werbel and Jennifer Hardin, <em>Thomas Eakins (1844-1916) and the Heart of American life</em>, (London: National Portrait Gallery, 1993), pp. 25, 96","date":1993,"id":3580,"uri":"https://search.worldcat.org/title/624195593"},{"boilertext":"<P>Gordon Hendricks, <EM>The Life and Work of Thomas Eakins</EM>, (New York: Grossman Publishers, 1974).</P>","citation":"<P>Gordon Hendricks, <EM>The Life and Work of Thomas Eakins</EM>, (New York: Grossman Publishers, 1974).</P>, p. 111; p. 112, fig. 92; p. 331-32 ,checklist no. 160","date":1974,"id":3582,"uri":"https://search.worldcat.org/title/1127693"},{"boilertext":"Barbara T. Ross, \"The Prints and Drawings Collection: The Early Years,\" in \"An Art Museum for Princeton: The Early Years\", special issue, <em>Record of the Art Museum, Princeton University</em> 55, no. 1/2 (1996): 135–155.","citation":"Barbara T. Ross, \"The Prints and Drawings Collection: The Early Years,\" in \"An Art Museum for Princeton: The Early Years\", special issue, <em>Record of the Art Museum, Princeton University</em> 55, no. 1/2 (1996): 135–155., p. 145, fig. 13","date":1996,"id":3056,"uri":"https://www.jstor.org/stable/3774784"},{"boilertext":"Erle Loran, \"Cezanne's country<EM>\", Arts </EM>16, no. 8 (Apr., 1930): p. 521-552.","citation":"Erle Loran, \"Cezanne's country<EM>\", Arts </EM>16, no. 8 (Apr., 1930): p. 521-552.","date":1930,"id":5292,"uri":"https://search.worldcat.org/title/886998276"},{"boilertext":"John Wilmerding et al., <i>American Art in the Princeton University Art Museum: volume 1: drawings and watercolors</i>,<i> </i>(Princeton: Princeton University Art Museum; New Haven, CT; London: Yale University Press, 2004)","citation":"John Wilmerding et al., <i>American Art in the Princeton University Art Museum: volume 1: drawings and watercolors</i>,<i> </i>(Princeton: Princeton University Art Museum; New Haven, CT; London: Yale University Press, 2004), p. 152, cat. no. 34; p. 153 (illus.); p. 309, checklist no. 294","date":2004,"id":420,"uri":"https://search.worldcat.org/title/57236887"},{"boilertext":"<em>The Gloucester years: [exhibition] February 6 thru March 4, 1982</em>, (New York: Grace Borgenicht Gallery, 1982).","citation":"<em>The Gloucester years: [exhibition] February 6 thru March 4, 1982</em>, (New York: Grace Borgenicht Gallery, 1982)., p. 42 [under no. 19b]","date":1982,"id":5929,"uri":"https://search.worldcat.org/title/9297664"},{"boilertext":"J.M. Mancini, <I>Pre-Modernism: art-world change and American culture from the Civil War to the Armory Show,</I> (Princeton, N.J.: Princeton University Press, 2005).","citation":"J.M. Mancini, <I>Pre-Modernism: art-world change and American culture from the Civil War to the Armory Show,</I> (Princeton, N.J.: Princeton University Press, 2005)., p. 83, fig. 47","date":2005,"id":141,"uri":"https://search.worldcat.org/title/54677613"},{"boilertext":"<P><EM>Collection of watercolor drawings...</EM>, (Philadelphia, PA?:&nbsp;Pennsylvania Academy of Fine Arts, 1877). </P>\r\n<P>&nbsp;</P>","citation":"<P><EM>Collection of watercolor drawings...</EM>, (Philadelphia, PA?:&nbsp;Pennsylvania Academy of Fine Arts, 1877). </P>\r\n<P>&nbsp;</P>, register no. 167","date":1877,"id":5601,"uri":"https://search.worldcat.org/title/78282661"},{"boilertext":"<EM>A history of American watercolor painting: exhibition held at the Baltimore Museum of Art, March 10-April 7, 1946</EM>, (Baltimore, MD: American Federation of Arts, 1946). ","citation":"<EM>A history of American watercolor painting: exhibition held at the Baltimore Museum of Art, March 10-April 7, 1946</EM>, (Baltimore, MD: American Federation of Arts, 1946). ","date":1946,"id":5602,"uri":"https://search.worldcat.org/title/249733262"},{"boilertext":"<EM>Illustrated catalogue of the eleventh annual exhibition of the American Water Color Society, held at the galleries of the National Academy of Design</EM>, (New York:&nbsp;American Watercolor Society, 1878). ","citation":"<EM>Illustrated catalogue of the eleventh annual exhibition of the American Water Color Society, held at the galleries of the National Academy of Design</EM>, (New York:&nbsp;American Watercolor Society, 1878). , no. 237","date":1878,"id":5603,"uri":"https://search.worldcat.org/title/82996441"},{"boilertext":"<P>Moussa M. Domit, <EM>The sculpture of Thomas Eakins</EM>, (Washington,&nbsp;D.C.:&nbsp;Corcoran Gallery of Art, 1969). </P>","citation":"<P>Moussa M. Domit, <EM>The sculpture of Thomas Eakins</EM>, (Washington,&nbsp;D.C.:&nbsp;Corcoran Gallery of Art, 1969). </P>, no. 11, p. 44 (illus.)","date":1969,"id":5604,"uri":"https://search.worldcat.org/title/13888"},{"boilertext":"<em>Thomas Eakins: a retrospective exhibition</em>, (Washington, D.C.: Whitney Museum, 1970).","citation":"<em>Thomas Eakins: a retrospective exhibition</em>, (Washington, D.C.: Whitney Museum, 1970)., no. 28","date":1970,"id":5605,"uri":"https://search.worldcat.org/title/5885262"},{"boilertext":"Donelson F. Hoopes, <em>Eakins watercolors</em>, (New York: Watson-Guptill, 1971).","citation":"Donelson F. Hoopes, <em>Eakins watercolors</em>, (New York: Watson-Guptill, 1971)., p. 40; pl. 10 (color illus.)","date":1970,"id":5606,"uri":"https://search.worldcat.org/title/210061"},{"boilertext":"Margaret McHenry, <EM>Thomas Eakins Who Painted</EM>, (Oreland, PA?: [Privately published], 1946).","citation":"Margaret McHenry, <EM>Thomas Eakins Who Painted</EM>, (Oreland, PA?: [Privately published], 1946)., p. 35","date":1946,"id":5607,"uri":"https://search.worldcat.org/title/3325765"},{"boilertext":"Darrel Sewell, <em>Thomas Eakins: artist of Philadelphia</em>, (Philadelphia: Philadelphia Museum of Art, 1982).","citation":"Darrel Sewell, <em>Thomas Eakins: artist of Philadelphia</em>, (Philadelphia: Philadelphia Museum of Art, 1982)., no. 56 (illus.)","date":1982,"id":5608,"uri":"https://search.worldcat.org/title/8387221"},{"boilertext":"William Innes Homer, <EM>Thomas Eakins: His Life and Art</EM>, (New York: Abbeville Press, 1992).","citation":"William Innes Homer, <EM>Thomas Eakins: His Life and Art</EM>, (New York: Abbeville Press, 1992)., p. 98 (illus.)","date":1992,"id":5609,"uri":"https://search.worldcat.org/title/25711805"},{"boilertext":"Henry M. Reed, <EM>The A.B. Frost book</EM>, (Charleston, SC: Wyrick &amp; Co., 1993).","citation":"Henry M. Reed, <EM>The A.B. Frost book</EM>, (Charleston, SC: Wyrick &amp; Co., 1993)., p. 23; p. 26 (illus.)","date":1993,"id":5610,"uri":"https://search.worldcat.org/title/24501173"},{"boilertext":"<div class=\"journal\">Lloyd Goodrich, \"Catalogue of the Works of Thomas Eakins\", <em>Pennsylvania Museum bulletin </em>25, no. 133 (1930): p. 17-33.</div>","citation":"<div class=\"journal\">Lloyd Goodrich, \"Catalogue of the Works of Thomas Eakins\", <em>Pennsylvania Museum bulletin </em>25, no. 133 (1930): p. 17-33.</div>, p. 20","date":1930,"id":5613,"uri":"https://www.jstor.org/stable/3794383"},{"boilertext":"<EM>Thomas Eakins, a retrospective exhibition</EM>, (Washington, D.C.: National Gallery of Art, 1961). ","citation":"<EM>Thomas Eakins, a retrospective exhibition</EM>, (Washington, D.C.: National Gallery of Art, 1961). , no. 33 (illus.)","date":1961,"id":5614,"uri":"https://search.worldcat.org/title/1950785"},{"boilertext":"Barbara T. Ross, <i>American Drawings in the Art Museum, Princeton University: 130 Selected Examples</i> (Princeton: Art Museum, Princeton University, 1976).","citation":"Barbara T. Ross, <i>American Drawings in the Art Museum, Princeton University: 130 Selected Examples</i> (Princeton: Art Museum, Princeton University, 1976)., p. 25, no. 23; p. 26 (illus.)","date":1976,"id":5635,"uri":"https://search.worldcat.org/title/2681117"},{"boilertext":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007)","citation":"<i>Princeton University Art Museum: Handbook of the Collection</i> (New Haven, CT: Yale University Press, 2007), p. 284 (illus.)","date":2007,"id":474,"uri":"https://search.worldcat.org/title/191864564"}],"nowebuse":"False","periods":[],"department":"Prints and Drawings","attribute_groups":[{"id":2199325,"term":"North American Art","termtype":"Collecting Area"},{"id":2199327,"term":"Prints and Drawings","termtype":"Collecting Area"}],"daterange":"A.D. 1850-1900","dateend":1877,"depicted":[],"titles":[{"title":"Seventy Years Ago","titletype":"Published","displayorder":1}],"hasimage":"true","creditlinerepro":"","objectnumber":"x1957-118","inscribed":null,"texts":[{"texttype":"Online","textpurpose":"Handbook Entry","textentryhtml":"\r\nAcknowledged as one of America’s greatest artists, Thomas Eakins produced only about two dozen watercolors in his lifetime. Their tight control and almost scientific precision clearly reflect his training in calligraphy, perspective, anatomy, and drawing from life. This superb example attests to his mastery of the medium, combining delicate and complex rendering of details, as in the woman’s face and fingers, with more spontaneous &shy;brushwork, evident in the shadows behind her and in the table at the right. <I>Seventy Years Ago</I> belongs to a group of small oils and watercolors depicting female subjects in settings inspired by historical interiors. The inclusion of period details, such as the Chippendale chair and tilt-top table, reflects Eakins’s interest in the early Federal period in Philadelphia, an era then being widely reexplored as&nbsp;part of the Colonial Revival inspired by the nation’s centennial in 1876. Thematically, the watercolor relates to several of Eakins’s best-known paintings from the 1870s, many of which share a central concentration on the synergy between head and hands, the mutual dependence of the cerebral and the physical, whether seen in rowing a scull or playing a piano. </P></SPAN>","remarks":null},{"texttype":"Online","textpurpose":"Provenance","textentryhtml":"<p>The artist until 1878; R.D. Worsham; James P. Silo, New York; Frank Jewett Mather Jr., ca. 1928; his estate;</p><p><br></p><p>Purchased from Eakins in 1878 for $135.00 by R.D. Worsham; turned up about 1928 at auction at Silo's, New York, where bought by Dr. Mather [as per accession card]</p>","remarks":null},{"texttype":"Online","textpurpose":"Gallery Label","textentryhtml":"One of only about two dozen watercolors by the Philadelphia artist Thomas Eakins, <em>Seventy Years Ago</em> attests to his mastery of the medium, combining delicately and precisely rendered details with free and spontaneous brushwork. This interior scene shares with several of Eakins’s paintings from the 1870s a focus on the concentrated engagement between head and hands, whether seen in knitting, rowing a scull, or playing a piano. The inclusion of the tilt-top table and Chippendale chair reflects the artist’s interest in early America, an era then being reexplored as part of the patriotic and nostalgic Colonial Revival inspired by the nation’s centennial in 1876.","remarks":"MEB rotation June 2019"}],"datebegin":1877,"sortnumber":"1957  118x","published_date":"2026-02-11 08:28:47.264119","objectid":9793,"dimensions":"39.8 x 27.4 cm (15 11/16 x 10 13/16 in.)","on_view":false}